Mixing live sound basics how to#
Mixing live sound basics pro#
Mixing live sound basics professional#

Mixing live sound basics professional#

They need a sound professional to see that their sound is less irritating and more desirable (within the parameters of their particular genre), does not distract from the vocals, and remain uniform in whatever venue they may find themselves performing in. 'That's what comes to my mind, but only after the band itself does some of the work. Can EQ or other processors be used to produce better overall sound? The band is too loud and the sound is harsh and thin. Nathan Miller, production director, cut his teeth as monitor engineer at Willow Creek where he worked with every major Christian artist that graced the mega church's 7,200-seat auditorium. Karen Kane, on the faculty of the University of North Carolina at Wilmington in the Recording Technology program, has decades of experiences producing hundreds of albums and live shows. Paris Lahr is a globetrotting touring pro. Singer/songwriter and producer Alex Del Zoppo made his debut on the world stage when Sweetwater was the second act at Woodstock. To find out how the pros prevail, we turned to a panel of performers, producers and sound engineers. Everyone's had this problem in all of its textures and flavors. In this post, an artist and a trio of sound engineers share their challenges and solutions. Examples of various live sound situations & challenges – inc.Share this Testing 1-2-3: Advice on Live Sound.Demo – how it sounds depends where you are.

Mixing live sound basics how to#

Feedback – why it happens and how to manage it.

Working in a live acoustic environment – reflections, interference & other problems.

Creating a monitor mix using auxiliary buses.

Using the mixer – setting input levels and creating a basic mix.

Frequency spectrum – where voices and instruments sit within it.

Speakers (dispersion pattern, crossovers, using speakers in multiples, subwoofers, power handling,active versus passive).

Power amplifier (gain, clipping and headroom).

Mixing desk (quick logical tour from input to output).

Mics & DIs and how to use them (different mic types, pickup pattern, positioning, direct input from instruments).

A practical live sound system – what do we need and how do we use it?

Converting the amplified signal back into acoustic energy – loudspeakers.

Amplification of the electrical signal – pre-amp and power amp circuits.

Capturing acoustic sounds, and converting them into electrical signals – microphones & pickups.

The purpose of the ‘P.A.’ system – a means of getting the source material across to the target audience.

Why do we need a PA system, what does it do, and how does it work? The facility houses a vast array of top live sound equipment from JBL, Soundcraft, Crown, AKG and more.

Mixing live sound basics pro#

The setting for the workshop is Sound Technology's impressive 4000-square foot Pro Audio demonstration facility at their HQ in Letchworth, Hertfordshire. There will be a Q&A session at the end of the workshop and an opportunity for informal one-to-one conversations. Using a high-quality analogue desk and a simple PA system for demonstration, Mike will impart practical advice on how to tune the PA system, create Front of House and monitor mixes, and discuss venue acoustics and common problems such as feedback. In this whistle-stop tour of live sound, you'll learn about the tools of the trade – microphones, mixers, power amps, loudspeakers – and how to use them effectively in a live sound situation. Mike will guide you through the basics of sound reinforcement, drawing of his years of experience running sound for all kinds of concerts from rock to classical, in small venues to outdoor festivals. *** PLEASE NOTE THIS EVENT IS NOW SOLD OUT *** Sound On Sound and Sound Technology Ltd are proud to present Live Sound Basics, an evening workshop with regular SOS Live Sound contributor Mike Crofts on Wednesday 31 July 2013.